If you follow me–at all–you’ll know Emily June Street and I have not only an intense and amazing working relationship, but a close friendship as well. You may or may not be aware, but we’ve never met in person. She lives on the West Coast, I live on the East Coast, and 2,800+ miles separate us. However, we will fix this little detail when we attend the Writer’s Digest Conference together in New York City in August 2017. Can you imagine how excited I am?!
Emily June Street is the author of six novels: The Gantean, The Cedna, Sterling, Mage and Source, Secret Room, and The Velocipede Races. She has degrees in psychology and library science, but she divides her time between teaching Pilates and exploring alternate worlds in writing. She founded Luminous Creatures Press with Beth Deitchman in 2013.
Thanks for stopping by my website, Emily! Now let’s dive into some questions:
TS: Mage and Source is book four in your Tales of Blood & Light series, but for those who may not have read the foregoing books, could you give us a three sentence summary of the novel?
EJS: Magic is dead. The only hope for restoring it lies in the hands of a talented ex-mage and an enemy spy thrown together by fate and unexpected love. But an eastern foe seeks to destroy them both before they can uncover the true path back to magic..
EJS: Well, Tales of Blood and Light began as one book, The Gantean, no plans for any others in a series. Then I decided I needed a Book Two to tell the “villain’s” point of view from The Gantean, so I wrote The Cedna. Then I realized I needed to resolve the cataclysmic disaster that ends The Cedna’s story, and so I planned a book three, which was going to be Tianiq, Leila’s missing daughter’s story. Then I wrote a “companion book” called Night Queen, which was sort of a prequel to the planned trilogy set in the Lethemia world. Then I decided I didn’t like book three, Tianiq’s book, and wanted to revise entirely. Fortunately this was early on, well before I ever put out The Gantean, so I was able to revise all three books to adjust for this..
But then I decided to write Sterling’s story, which came out very easily, and felt like a natural next step after the Cedna’s book. Only after writing Sterling did I decide to sit down and formally examine what I was trying to do with this series. That was when I finally realized I was telling a story about the fall and return of magic in this world, an apocalypse and a restoration. I was able to tease out from the exiting stories that I’d set up these seven stones (the Ophirae) that were vital to the return of magic, and thus, I could have seven books, each essentially describing a romantic relationship and the re-awakening of one of the seven stones needed to restore magic to this world. So, that’s when I finally realized I needed seven books. I tore apart everything and rewrote parts of all the books, dismantled the book Night Queen and turned it into Mage and Source, and now here I am with a completely pantsed seven-book series in the works!
So the answer lurking within all those words is…there was no planning, and what someone should learn from my experience is: this is not the best approach to writing a seven-book series!
Fortunately, I have a pretty good memory, which helps me keep track of the logistics of the story arc—that and a whole bunch of slips of paper and several maps. I also try to 1) trust in my subconscious to unearth the threads of the story that need to be unearthed; 2) keep track of essential facts with lots of folders and post-its (I like to have important information and details on paper rather than on the computer, as I like spreading out my papers on the floor and getting a big overall picture every now and again); and 3) endless reworking and rewriting.
In retrospect, this is a very labor-intensive way to write books, definitely not for people who don’t like the slog of rewrites and massive amounts of editing. Be a planner if you want a streamlined process! I’ve gone the planned route for other books, and it is much easier and it involves a lot less rewriting. That said, I do enjoy the endless managed chaos of my Tales of Blood & Light process. There’s something deeply satisfying about pantsing a story. It feels organic and sometimes you surprise yourself with connections and storylines you’d never have planned.
EJS: I rarely model my characters after real people, honestly. I suppose my characters are creations “borged” from a multitude of people I’ve known, some I might not even remember, and also from parts of myself that don’t see the light of day. Laith does share some character features with my husband, Brady, namely being obsessed with his own interests and being fairly impervious to the negative opinions of others. Brady also tends to do what Brady wants, just like Laith. My husband, however, is a quiet man, and Laith is a huge talker. I have reams and reams of cut pages of Laith, just telling his stories. For a while he really wanted his own book all to himself, but he just rambled on and on..
I had no particular model for Elena, although no doubt her perfectionistic tendencies and her favoring of reason over emotion come straight from me. I certainly haven’t used any famous person’s personality to shape either character; again, that’s just not my style.
I have done the Myers-Briggs Personality test for most of my characters. Laith is an ENTP and Elena is an ISTJ—very opposite types, but united by that thinking element. (Note: I am an INTJ, and I think my strongest domain is that T, that “thinking” quality. I find it very hard to write “F”s, or feeling types, because my brain just doesn’t work that way. I think so far only Sterling and Erich have been “feeling” types, and often I really had to pause and think to myself…what would someone entirely led by their feelings do in this situation? In some ways I think “F”s are easier for people to relate to, because that “T” quality can be very idiosyncratic, following a logic that isn’t always readily apparent, whereas everyone understands the basic human emotions and can relate to them immediately.
Appearance-wise Laith might look like a cross between Aiden Turner and Riz Ahmed, but taller than either of them, and Elena might look like Li Bingbing.
EJS: Costas (an ESTJ) is a favorite character of mine, too, but not for the reasons you may think. What I love about him is how we see him through the eyes of every one of my narrators, but never through his own eyes. As a king, he’s a man defined by his people and his mystique, and each character really does see him differently—most of them manage to see his complexities, too, but different complexities, with various beliefs about what is likable in him and what is not..I think some readers disliked how he treated Leila in The Gantean. They felt he wasn’t enough of a hero, that he was self-centered, a bit of a jerk. That is probably because they were sympathizing with Leila, the narrator, and at some points in the book, Leila and Costas were in direct conflict to one another in their actions (if not their in their emotions)..
Costas is complicated partly because his position is a complex one. He’s the King, but he is also a person with strong inner boundaries about privacy. He has his own desires that have nothing to do with his obligations as King, but he very strongly feels the duty of rule (even if he is sometimes unaware of its privilege). Sometimes he’s faced with difficult choices because of this—his personal desires (e.g., having Leila as his lover) are often in direct opposition to what is expected of him as King (e.g., marrying Stesichore Ricknagel and reuniting the Ten Houses). Costas picked duty over love at first, failing to understand the significance of the aetherlumo bind he shared with Leila. Unlike Laith, with his magical lore, Costas did not immediately comprehend that the aetherlumo is a BIND, meaning it not only joins him irrevocably with Leila, but it is forged by forces more powerful than human needs and desires. I think part of Costas’s character development is coming to understand that he cannot control everything, that there are forces to which even King Costas is subject. He is a controlling man, and he’s going to have to learn what he can and should control, and what he cannot and should not.
Costas is forever a work in progress, as you know. Each book shows a different side of him. In Mage and Source, we see a friend and subject’s view of him through Laith’s eyes. We also see an enemy’s view of him, as Elena has been sent to assassinate him at the behest of her Emperor. But Elena quickly complicates things, since her animosity isn’t based in her own emotions, only on her loyalty to her nation. Later in the series we’ll have a narrator who holds great personal animosity towards Costas. That’s been a tricky storyline to negotiate!
EJS: I really love that you seem to think I planned anything about these books. Sadly, no, my strategy has been entirely “on the fly.” If I had planned, I would have planned better and followed some kind of recognizable color theory. But no, it’s all completely idiosyncratic. In this world, people have auras of aetherlight, and (in my mind, at least) the color of their aura does say something about their personality. But it’s one hundred percent based on my own personal feelings about colors and personality, not any existing color theory..
So Leila’s colors are watery and cool, and her personality is cool and unemotional, but resilient and adaptable, like water.
The Cedna’s color was black, since she was embodying the absence and darkness of the world. Her elemental themes were fire and ash, so her color was the char that was left after the fire.
Sterling’s color was sunshine yellow, since her basic temperament is optimistic and bright, despite her sufferings. Her elemental theme was air, and I see the air around her being shot through with sunlight.
Laith is opal, shiny and shimmering, full of hidden colors. His elemental theme was aether, the stuff of magic, so I wanted his aetherlight to reflect the power and complexity of magic. He is also cool, like Leila. He explained in The Gantean that cool aetherlight people are draw to warm aetherlight people, and vice versa. Elena’s elemental theme is earth, so her aetherlight is green and rich and warm, like healthy leaves.
I have tried to reflect the aetherlight colors of my narrators on the covers of the books. The elemental themes of the narrators are indicated on the back covers, in the taglines: flow like water; fall like ash; rise on air; bright as aether, strong as earth.
As far as the colors of the Ophirae magestones and whether they match those of the couples who ignite them, unfortunately, not really. It’s been more about which stone was available given the storyline, and given the fact that these plotlines are completely pantsed, there isn’t a lot of wiggle room for applying any logical color theory after the fact. I have to work with what I’ve already set up and written into “the canon.” For the Ophirae colors, I literally just picked colors I liked way back when and those are the colors, end of story. No planning at all.
EJS: Well, Tales of Blood and Light still has three books to go. All are at least partially drafted. I’m working hard on Book Five, Light and Shadow, right now, with a massive rewrite/revision inspired by a certain brilliant editor..TS: Who is this nefarious creature!?
I have also co-written two all new fantasy books with a certain fellow author who greatly resembles my brilliant editor, as you might know.
TS: Apparently, there are doppelgangers.
These books are: River Running (elemental magic and romance in quasi-American South Reconstruction Era) and The Eighth Octave (music, magic, and mystery in a fairytale 18th-century world). We’ll be pitching these books to agents at an upcoming conference in New York City. *gulp*
I’m working on a new fantasy series with a first book tentatively titled “Midnight Oil,” too. Similar to Tales of Blood & Light, it involves culture clashes, empire, and magic, but the world and the magic system are quite different.
Thanks, Emily! Check out Mage and Source, available now on Amazon!
The next world arrives in a shattering fall.
The Cedna is dead, and magic is broken. Laith Amar, a famous mage, must learn to live without his skill as all of Lethemia reels from the Fall. Fighting despair and skeptical colleagues, Laith seeks any solution that can return his talents.
From hidden sources, hope emerges.
Angered by losing the war against Lethemia, the Eastern Emperor dispatches Elena Rith, a trained potion-mistress, to assassinate the Lethemian King Costas Galatien and to learn what she can of the West’s fallen magic. Alone in a foreign country, Elena battles new hazards and old fears as an Eastern hunter tracks her.
A new alchemy ignites an old power.
After fate throws them together, Laith and Elena discover an intriguing method to revive magic that depends on them both. But when Elena’s foe finds her, can Laith save her from a past of pain and violation?
Only love can resurrect Laith’s faith and Elena’s hope, but darkness surrounds them as their enemies close in.
Magic’s restoration hangs in the balance.